Wait for yourselves, but I am so glad, there are no hits, which would be standing out. Just as I hoped, her creativity is getting darker, heavier but especially compact. Czech festival Rock For People was really not for you guys… But please, be careful with rock/pop festivals. Might not said the best so far, but still heavy and bringing their unique atmosphere. Getting better every year and now serving their most melodic release ever. Mastodon are one of the rare securities on the music scene. And you know, so far, everybody loved them! Their new album didn’t beat the previous three masterpieces in their discography, but I will keep spreading their music to the world. Their continuous progress into intelligent pop/rock has been appreciated but there is still huge amount of people on this planet, who have never heard their beautiful music. Next to that, their were always on the top of my list of recommendations for people within rock and especially outside of rock scene. Since the release of We’re Here Because We’re Here in 2010, I became absolutely addict for their new music. Obvious singles like "I Don't Know," "Saviour," and "Pariah" may be "modern rock" radio-ready, but they're "mathy" enough for the tech-loving music geeks, highbrow enough for the progressive rock elitists, and emotional enough for bike riding indie rockers.Monthly reviews for August 2017 include: Anathema, Mastodon, Chelsea Wolfe, Wolves In The Throne Room, John Frum, Alter Bridge, Myrkur, Laibach, Vallenfyre and Sade. At 18 tracks, it can be a lot to swallow, but keep in mind that many of these are transitional pieces and rarely overstay their welcome. Pariah, The Parrot, The Delusion represents the best of both worlds, employing top-notch musicianship, meticulous production, and memorable melodies atop an ambitious narrative culled from (in part) a Salman Rushdie essay called "Imagine There's No Heaven: A Letter to the 6 Billionth Citizen." While weeding through the wreckage of science, sociology, and religion for the quivering individual may seem like heavily guarded Radiohead territory, Dredg pulls it off with the human heart still intact. In just four albums, California's Dredg have run the gamut from atonal, angular alternative metal outfit to epic, unpredictable progressive rockers with one foot in "loud/quiet/loud" world of emo and the other in genre-defying abyss of art rock.
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